56:09;NM:23;25+26.09$ - (Approaching the Garden) - For 3d Animation with Electronic Sound (World Premiere with The William Hooker Orchestra at Real Art Ways - Hartford, CT; September 25+26, 2009)

55:08;NM:22 - (Transfigurations) - For 3d Animation with Electronic Sound - with Aaron Bowen (NYC - 2008; World Premiere with The William Hooker Orchestra at Issue Project Room - Brooklyn, NY; August 7, 2009)

Subsemitoniums - For String Quartet (NYC - 2006)

Infinity Modules(NYC - 2006 - .... )

Melodium - For any instrumentation (except Piano and Guitar) and any # of instruments (NYC - 2006)

Harmonize - For Electronic Sound (NYC - 2005)

482A17 - For Electronic Sound (NYC - 2005)

Convolution Study - For Electronic Sound (NYC - 2004)

48:03;N;23.03S - For Viola, Electric Guitar, Alto Saxophone and Percussion (Performed at RIght Bank performance space, March 2003)

Melodic Assault Composition 46-(Modules 8) Infinite composition for any combination and number of instruments (Performed at the Bradbury Building, LA 2000; Performed at the Armory, NYC 2001)

Composition 45 - For for any 4 instruments (except piano), scores printed on T-shirts (Summer 2001)

Composition 41 - For Electronics and Dance. (Performed in Calarts Sharon Disney Lund Theater, Fall 2000)

Visual_Assault Composition 40 - 3D animation (Premiered at the Bijou film festival, CalArts Fall 2000)

Ground Composition B - For video camera on pedestal with live feed to buried video monitor (Performed in April 2000, CalArts)

Visual Assault Composition 38 - Environment installation using 2 projected 3D animation compositions with extreme sound blasts (Performed at CalArts, Spring 2000)

33:99;NM5 - Piece for any number of musicians in 5 groups with 5 video monitors, realtime interactive video score and musical navigator (Spring 1999)

32:99;NM4-(Opening) - For any combination and number of instruments (Performed in CalArts Main Gallery with live internet streaming, Spring 2000)

Preserving the Tradition - Three major works by Bach, Beethoven and Brahms on audio tape pickled and preserved (Exhibited Fall1998, Hartford, CT and Fall 1999 at CalArts)

Composition 31.99 - A piece exploring the extreme ranges of any instrument, for any # of instruments (Performed in the CalArts Main Gallery Elevator in Spring, 1999)

29:98;CO3;29.8S - For creative orchestra (Performed on August 29, 1998 at the Summers End Music Festival, Middletown, CT)

Composition 28 - Multimedia musical theatre work for string orchestra, video altar with animation, 2 performance artists, 4 dancers with light suits, 3 electric guitars, percussion and fixed environment (Performed in May 1998, Hartford Art School, CT)

14A for Pianoforte - A serial composition (1998)

Ground Composition A - Sound environment for tape and 150 watt PA system, buried (Performed in May 1998, Hartford, CT)

Water D - For performance artist, amplified toothbrush, video and live signal processing (Performed in Hartford, Spring 1998)

Aleatoric Drum Composition - An installation for drum set and suspended "funnel bags" with colored ice and random objects (Performed in Spring 1998, Hartford CT)

Sensory Deprivation Experiment - 12 hour performance for 1 performer (blindfolded and earplugged) (Performed in April1998, Hartford, CT)

Ritual - For 2 performance artists, Hair clippers, Live sound processing and recitation (Performed in Spring 1998 Hartford CT)

Cycle (For Eli Hepburn) - A 24 hour musical work for pianoforte (Partial performance in Winter 1998, Hartford, CT)

Water C - For performance artist, oral care supplies, video for 3 video monitors on pedestals, lights with blue gels, and sound (Performed at the Hartford Art School, Fall 1997)

16:97c;I21;10.3S - Alto Saxophone, 2 Trombones, Bb Clarinet; Contrabass and Percussion (Performed at the Knitting Factory-NYC, March 1997)

Orchestra Composition 1A - For Any Instrumentation, Any # of Performers (Performed May 1997, Hartford CT)

[]\7-o - For 4 performers with live tape processing, 4 unique scores on banners, electronic mantra and animation (Performed at the Hartford art School in Spring 1997, and Tune In, New Haven CT in Summer 1997)

io - Musical theatre work for 8 mobile non-musicians, voice, sound objects and live projected video score (Performed Spring 1997, Weseleyan University)

Lovers - Audio quilt constructed from 1/2" reel to reel tape attachedto bed frame. The music of Stravinsky and Bruckner are woven together. Two pillows with embroidery of the composers first name are placed on top (Exhibited Spring 1997, Hartford CT)

Composition for Musician, Live Radio Broadcast, Performance Artist (Spring 1997)

Water B - 12 Hour interactive performance for (tied up) performer, mirror, sound and props (Winter 1997, Hartford CT)

Water A - Video Composition (Performed at Hartford Art School Video Night, Fall 1996)

17;96k;NM8;14.11S-(Dedicated to Guglielmo Marconi) - For 4 Transistor Radios, Eb Alto Saxophone, Performance Artist and Video (Performed in Fall 1996, Hartford CT)

14:96;S18:3R;5.8S - For any number of instruments and instrumentation (Performed on May 8, 1996 at The Knitting Factory, NYC)

9:96;SI3:5.4S - For Piano, Alto Saxophone, Live electronics, Percussion (Performed May 4, 1996, Hartford CT)

8:96;RI;SI2:29.3S-(o) - For any combination of instruments and Voice (Performed March 29, 1996, Hartford CT)

7:96; N:P;3.17S1)5.12.94 - For all instruments (1996)

6:96;NM14-(Record player) - Record player enveloped in a layer of melted vinyl records with mobile needle allowing whole record player to be "played" (Exhibited Spring 1995, Hartford CT)

5:96;RN1;24.2S-(Prayer) - For Oboe, 2 Tam Tams and vocal recitation (Performed on February 24, 1996; Hartford CT)

14A - For Piano Solo (Summer 1996)

"R" - For Alto Saxophone, Piano, Contrabass and Percussion (1996)

"Truth, Secrets" - For piano or guitar (June 1995)

Study for Pianoforte - Piano (May 1995)

4:12.3.95 -Duality For Flute and Violoncello (Performed in Hartford, CT on May 6, 1995)

N2:23.2.95 -(In 4 Movements) - For Flute, Bb Clarinet, Bb Trumpet, Trombone, Electric Guitar, Violin, Viola, Violoncello; 4 Soprano Voices - (Written as a multimedia performance and collaboration with Caleb Hammond for Projected Images, Dance and Theatre (Performed February 1995; Hartford CT)

4:95;N3:1S - For full orchestra (January1995) A) Z-su-Z B) Transformation C) Blackfoot

3:94;NMI2;30.3S -(Sound Color Experimentation #1) - For live painter, Flute, Trumpet, Trombone, Violin and Violoncello (Performed in Spring 1994, Hartford CT)

2:94;C2;21.3S-(Program) - For full orchestra (Recorded by the Hartt Contemporary Players, February 1994)

1:93;C1;22.11S -("Sleep")-(Set to text by Georg Trakl) For Voice (Bass); Open Piano, Oboe, Violin and Percussion (Performed November 22, 1993)